Wednesday, March 19, 2008

Costuming A Show

The first thing I do is read the script. Then, I read it again, paying more attention to stage directions, descriptions of characters and clothing, and any specific references to certain garments. Then, I go looking on line for pictures from other productions of the same show, trolling for ideas. Sometimes I find bad ones. My apologies to these performers, and to their costumer, but I have to use these pictures to illustrate my point. The play is "Musical Comedy Murders of 1940."


The play is set in 1940, and the people are actors, producers, etc. The setting is an estate outside New York in the middle of winter. There is a blizzard. This actress's summer dress and two-tone shoes are totally inappropriate. The rule of no white after Labour Day was much more enforced in those days than these. Her hair does not look 40s, either, but hair is not my department. The man on the right is a comic, which might explain the yellow galoshes, but they are not exactly period.


These three are a joy a minute. The one in red is supposed to be a producer. She is all Hollywood, and all "fashion." She says ridiculous things like, "Darling, it's divoon; simply divoon!" Her dress is not any sort of 40s, and is too short. She ends up getting murdered by being stabbed through the back of an easy chair with a sword. She topples forward when somebody pulls out the sword and ends up on the floor on her hands and knees. This dress will hike up to the north pole when she does that. Let's talk about Ms Hippy right next to her. The script says that Beatrice dresses like a gypsy and wears a lot of bracelets. This one looks like a medium from the 1970s. And, take a gander at the guy on the right. While we take that pile of material around his ankles for granted these days, in the 1940s that would not have happened. A man's trousers had to "break" on the top of his shoes. No longer than that.

In 1940, the wartime restrictions on fabric use had not yet taken effect, and dresses were longer and fuller than they were in, for instance, 1944.

While I try not to be a slave to period, I think the costumes have to be close enough to suggest it. The costumes pictured send mixed signals. Is it summer? Are they clowns? Is time travel involved?

We shall endeavor to do better.

10 comments:

  1. All the things non of us have to think about when watching a play.

    I think sloppy work is true in most forms of employment. I see it every day.

    You do great work, Ronni. You are so fortunate to earn a living doing something you love.

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  2. Well, I don't actually make a "living." If I had a house payment and a car payment, I'd never make it. I am hoping that the shop makes enough to get a raise someday, but my life is always going to be a financial struggle.

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  3. Sorry, I misspoke there. I know that you struggle, Ronni. We are kind of in the same boat, with the low wages and great jobs.

    My dentist only charged me £23.28 yesterday. My mouth must have been hanging open. Front tooth filling, 2 x X-rays and a replacing a filling in a back tooth.

    Guess what? I'll be ordering the licorice next week. LOL

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  4. Hey Ronni, I've been busy for the last week andam only now getting to catch up,ll your pictures are wonderful.and I couldn't agree with you more about the costuming!..I saw that you tagged me lol.and I will see what I can do.
    keep up the good work.
    Hope you get the part you want,lots of luck!ttyl

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  5. The woman in the middle is supposed to be dressed like a gypsy? Don't think so. She looks like a displaced Moonie.

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  6. I would imagine that doing what you do, you'd have to have a keen eye for detail. I'm a stickler for things "making sense" so that summer dress would have been a reminder that it was "only a play" and a real distraction from the "experience".

    The hippie costume is misplaced for sure but I wouldn't have picked up on trouser length or hem-lines.

    You are, without a doubt, a talented artisan - I wish it paid more but most things that are hand crafted pay a dismally poor hourly rate. It makes sense that you'd have to love doing it because a lot of the compensation must come from the creation itself.

    I suppose that self satisfaction is its own reward but doesn't buy many groceries these days.

    When are the auditions & when will you know the decisions?

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  7. Being a lover of history, theater, literature and fashion, I think your points are excellent. And I totally agree with the others who said you have a keen eye for detail and are very talented. The shows you do are very fortunate to have you. I have one thing to add, though - (and I do know it's not your department either) POSTURE PEOPLE, POSTURE!

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  8. Darr, posture can speak to character. For some characters, poor posture is totally appropriate. Beatrice faints a lot. I suppose the actress could have thought that might lead to sloppy posture. Or, the shot could have been taken at a place that is right before one of her faints, ans she may have already relaxed into it. But, in general terms, I agree.

    Kathy, the auditions are on the 24th and 25th, and I should know by the 26th.

    Mgt, licorice? Yay! I'm glad you got off easy on the dental bill. Here, that would have been several hundred dollars per tooth.

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  9. Don't even get me started! Having directed this play with help from your costuming shop before you worked there helped me a lot. Nary a summer color in the bunch. Maybe it's not perfect, but better? If you visit the SBCT webpage you'll find some photos.

    But, I'm a stickler for details like crossed legs before 1970 and stockings instead of panty hose during periods prior to WWII... and attempt to the best of a production budget, authenticity.

    Helps the actor too!

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  10. Joni, we didn't have pantyhose until right around 1970. Might have been a year or so earlier, but not much.

    Your shows are always well-costumed.

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