Running a Community Theater is no picnic. For the most part, the problem is that the same people running it are playing in it. There seems to be no way around this. It's a non-profit, so there's really no reason to do it except to provide entertainment for both the audience and the actors. Commercial theaters have the profit motive, and so can attract executives whose sole purpose is to execute in order to make money.
The Sam Bass Theater has been producing a full season of shows since (I think) 1982. The uncertainty comes from a definition of "full season." Our season now has more shows than it did then. How many shows make a season? I'd say that producing shows year-round makes a full-time theater.
Back to the business of having the Board of Directors working all the shows. The Board members are not paid. Nobody is. So the same people who volunteer their time five evenings a week for rehearsals, and then four evenings (well, three evenings and an afternoon) a week during the actual performance run, are also coping with publicity, finding volunteers for the box office, building the sets, maintaining the buildings and grounds, managing the finances, etc., etc. Couple that with the fact that very few of us are retired or otherwise free of the necessity to show up at a job almost every day, and you have a situation where people get burned out.
I keep standing for re-election in my position on the Board for two reasons. First, I consider it paying my dues for the privilege of being on the stage, and second, I like to have a voice in how the place is run. I have devoted many hours to my theater hobby over the years; acting, stage managing, running lights and sound, running props, building costumes and sets and directing. In addition, I have put in a total of three seasons on the Board (so far), all in the position of House Manager. Being the House Manager means that I keep the place clean and stocked with necessities like toilet paper and ice, and I also try to find volunteers to run the Box Office and serve refreshments at intermission. It is really the least arduous position on the Board, but it still absorbs a lot of time. If none of my volunteers wants to work a performance, I must do it. In recent years, with all of us having more demands on our time, I have been running the box office for the majority of the performances.
We're not even talking about the huge time commitment of other Board positions, which involve committees to award scholarships, apply for funding, select the Season plays, sell ads in the program and other seriously necessary activities. Designing programs and maintaining the website are both full-time jobs.
I love this theater, and I have seen it change and improve over the years. Now, we need so much more than we have needed in the past. We have been a small theater, started when Round Rock was a small town. We are still a small theater, but the town has grown from 10,000 to 80,000 over the past 23 years. We need a bigger space, including storage and rehearsal space, and more funding.
We are now going into a new season, and hoping for the best.
If only I lived in your area. I don't know a whole lot, but could try my hand at backdrop painting and sewing costumes. Just returned from the Shakespearian Festival in Cedar City. They probably started alot like you have there....with a few good hearts and several willing hands. Keep hoping...sounds like you are filling a tremendous need in your community.
ReplyDeleteKim, thank you! If you lived close, I would be knocking on your door!
ReplyDeleteThat is the way we started; the problem is that we have stayed there. Our space is so small--only 50 seats--that we serve an ever decreasing proportion of the community. The community has grown, and we have grown as much as we can without a bigger space.
You need a philanthropist - call Bill Gates!
ReplyDeleteSeriously, you need some fat cat do donate a building or buy you a bigger space. And contribute to your wonderful mission.
I'm sure you have a publicity department and a fundraising department (person), but you probably need someone who can dedicate a lot of time to this.
We've been saying for years that we need to talk to Michael Dell, but nobody has quite got up the nerve, as none of us really knows how to do that.
ReplyDeleteSending him a Season Ticket might not be a bad place to start.
He has already partially funded a baseball diamond, and puts computers in the schools.
Wow, that is a lot of responsibility on top of the other two jobs that you do, Ronni!
ReplyDeleteGeez, you'll never hear another complaint out of me....
I like Loretta's idea. The worst the man can say is 'no'. Go on! Use your charm on Mr Dell!
The problem with that, Mgt, is that 'charm" is one of the things I definitely don't have. We have those with it in our theater, but what we need is a crash course in how to do it, when the man probably receives thousands of similar requests.
ReplyDeleteWell, you cetainly don't need someone like me, standing there peeing my pants with nerves! Gotcha!
ReplyDeleteSend the man tickets, then phone his secretary to see if he will be attending. That should get his attention!
Riiight! Sorry Ronni, I'm no help at all.
Actually, you are.
ReplyDeleteHey Lady,
ReplyDeleteSomething we're doing with NxNW is using the "Raising More Money" model. It's a great organization, dedicated to *your* non-profit's mission based funding. www.raisingmoremoney.com
Also, try Jean Block at www.jeanblock.com -- a dynamic and delicious trainer.
Most of all, SBCT hopefully now has a team who is excited rather than fearful of the prospect of growth.
With such a history, SBCT should have no trouble getting funding -- and there's LOTS of space in the area! Like that vacant HEB at 79 and Mays. Wow!
The only aspect of growth of which I am fearful is that the theater will outgrow me.
ReplyDeleteI want Sam Bass Theater to always be a place where people such as I can come in off the street in response to an audition notice, and have just as good a chance of being cast as any other actor. I don't want our audition pool to be primarily composed of ACoT resumés. I want us to continue to appeal to our older, conservative audience base, with one show a year that will shake them up a bit. I don't wnt to get so big that we have to depend on Austin audiences and Austin actors to fill our seats and our stage. We are a unique entity, and I want to stay that way.
absolutely! wouldn't want to lose the spirit of the place...
ReplyDeletethat's how Temple Civic Theatre is! A place where folks like you and audiences just like SBCT's go to see a show in a 300 seat thrust theatre with offices and a shop and a rehearsal room -- that they paid for outright when they built it!